Paulina de las Mercedes Tamayo Cevallos, affectionately known as “La Grande del Ecuador,” passed away on October 21, 2025, at the age of 60. Born in Quito on April 14, 1965, she became one of the most beloved voices in Ecuadorian music. Her passing, confirmed through her official Instagram account, marked the end of an era for the country’s folkloric tradition. Fans and fellow artists have flooded social media with tributes, calling her voice “the soul of Ecuador.”
Tamayo’s career spanned more than four decades, and her influence shaped the identity of Ecuadorian folk music. She will forever be remembered not just for her powerful performances but for her ability to connect deeply with audiences at home and abroad.
The Heartbeat of Ecuadorian Folklore
From an early age, Paulina Tamayo showed a natural gift for music. At just five years old, she joined the famous company of Don Ernesto Albán, setting the stage for a lifelong artistic journey. Her career evolved into a symbol of Ecuadorian pride, bridging generations through her voice and style.
Throughout her life, Tamayo released 15 studio albums, each filled with traditional rhythms such as pasillos, sanjuanitos, and albazos. These genres became her signature, carrying the spirit of Ecuadorian culture to international audiences. Her artistry earned her nearly twenty national and international awards, solidifying her status as one of the greatest performers in Latin America.
In 2016, she achieved a historic milestone by becoming the first Ecuadorian female artist to fill the Coliseo General Rumiñahui—a testament to her enduring popularity and cultural impact.
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Collaborations That Crossed Borders
Paulina Tamayo’s collaborations reflected her universal appeal. She performed alongside legendary Latin American artists such as Juan Gabriel, Roberto Carlos, Alci Acosta, Los Panchos, Rocío Dúrcal, José Luis Rodríguez “El Puma,” and Lola Flores. These partnerships expanded her reach beyond Ecuador, allowing her to share her country’s music with a global audience.
Each collaboration highlighted her versatility. Whether interpreting romantic ballads, traditional folk songs, or contemporary fusions, Tamayo maintained her distinct voice and authentic spirit. She proved that Ecuadorian folklore could resonate across borders while staying true to its roots.
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A Song for Her Beloved Club El Nacional
Beyond her contributions to music, Paulina Tamayo was a passionate supporter of Club Deportivo El Nacional, one of Ecuador’s most historic football teams. Her devotion inspired her to compose the song “Bi-Tri yo te canto” in 2018, together with her son Willie. The song became an anthem among fans of Los Puros Criollos, celebrating the club’s spirit and legacy.
Lyrics such as “Rojo, como la sangre que recorre por mis venas” and “La gloria del fútbol del Ecuador es mi Nacional” reflected her deep emotional bond with the team. She performed the song live at the Estadio Olímpico Atahualpa, a moment cherished by both music lovers and football fans.
Following her death, El Nacional issued an emotional tribute:
“Paulina was a proud supporter of our club. Her song will forever echo in the hearts of our fans and honor her lasting connection to our institution.”
Legacy of “La Grande del Ecuador”
Paulina Tamayo’s passing leaves a void in Ecuadorian music that few can fill. Her voice—rich, expressive, and full of emotion—captured the essence of Ecuador’s soul. More than a singer, she was an ambassador of culture, a storyteller of the nation’s history, and a symbol of resilience and pride.
Her final public appearance, in August 2025, reminded fans of her unwavering dedication to her art, even after decades of performing. The love and gratitude pouring in from around the world confirm that her influence will continue to inspire future generations of Ecuadorian artists.
Tamayo’s music remains a bridge between the past and the present, ensuring that the sounds of Ecuadorian folklore live on. Her journey may have ended, but her voice—“La Grande del Ecuador”—will echo forever.
